الاحداث القولية والفعلية الظاهرة والضمنية في مسرحية جورج برنارد شو ميجور باربارا

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DC Field	Value	Language
dc.contributor.author	Yaseen Thabit, Shaymaa	-
dc.date.accessioned	2022-10-15T18:38:49Z	-
dc.date.available	2022-10-15T18:38:49Z	-
dc.date.issued	2022	-
dc.identifier.issn	: 0258 – 1086	-
dc.identifier.uri	http://localhost:8080/xmlui/handle/123456789/1482	-
dc.description.abstract	The present paper investigates the form and function of Searle's (1979) Speech Act theory in literary analysis. It reviews the way language can be an action in literary discourse. The paper accounts for illocutionary performative speech acts in Shaw's play Major Barbara based on selected sample texts. Types of illocutionary acts with their expressed or implied acts are accounted for with their correlation with felicity conditions. The paper draws on the understanding of locutionary, illocutionary, and perlocutionary acts in Major Barbara to be analyzed. The data is representative.	en_US
dc.language.iso	other	en_US
dc.publisher	Mustansiriah Journal of Arts,	en_US
dc.subject	Locutionary acts, Expressed, Implied	en_US
dc.subject	Shaw’s Major Barbara. George Bernard	en_US
dc.title	الاحداث القولية والفعلية الظاهرة والضمنية في مسرحية جورج برنارد شو ميجور باربارا	en_US
dc.title.alternative	XPRESSED AND IMPLIED LOCUTIONARY ACTS IN SHAW'S MAJOR BARBAR	en_US
dc.type	Article	en_US
Appears in Collections:	قسم اللغة العربية

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