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DC Field | Value | Language |
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dc.contributor.author | Muhsen, Farhan, Mohammed Deraa Alaa Sadoon | - |
dc.date.accessioned | 2022-10-16T17:11:09Z | - |
dc.date.available | 2022-10-16T17:11:09Z | - |
dc.date.issued | 2015-12-12 | - |
dc.identifier.issn | 2518-9263 | - |
dc.identifier.uri | http://localhost:8080/xmlui/handle/123456789/2008 | - |
dc.description.abstract | This paper aims at exploring the search for identity and the ways in which Toni Morrison has systematically recast the image and reconstructed the identity of African American women in her novel Beloved. She employs different means such as pure black writing, love and myth by which she re-opens new doors for the African American women to achieve and reconstruct their identities in the community of slavery. Drawing upon womanist and postmodern theories of identity construction, and incommensurability, this paper argues that African American femininity is relationally constructed | en_US |
dc.publisher | Al-USTATH JOURNAL | en_US |
dc.subject | 1. Identity 2. realization 3. love | en_US |
dc.title | Search for identity and self realization in Toni Morrison “Beloved” | en_US |
Appears in Collections: | قسم اللغة الانكليزية |
Files in This Item:
File | Description | Size | Format | |
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2eea21866dc0e75d.pdf | 351.58 kB | Adobe PDF | View/Open |
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