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| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Farhan, Abd, Khalid Qays Mohammed Dera | - |
| dc.date.accessioned | 2022-10-16T19:25:44Z | - |
| dc.date.available | 2022-10-16T19:25:44Z | - |
| dc.date.issued | 2019-05-12 | - |
| dc.identifier.issn | 2518-9263 | - |
| dc.identifier.uri | http://localhost:8080/xmlui/handle/123456789/2071 | - |
| dc.description.abstract | This paper aims at exploring the mystery elements in T. S. Eliot's play Murder in the Cathedral that have a significant meaning in contexts which can be either religious or serious. By suggesting a parallel between the parents of crime and detection on the one hand, and sin and expiation on the other, Eliot uses the same symbolic method the Edmund Wilson admires in Dickens. The two patterns suggest two analogous levels of meaning meant for two different levels of perception. In this way Eliot imparts a serious significance to ordinary elements of a detective thriller and also manages to say the serious things through the most popular form. | en_US |
| dc.publisher | Alustath Journal for Human and Social Science | en_US |
| dc.subject | 1. T. S. Eliot 2. Modern Tragedy 3. Murder in the Cathedral | en_US |
| dc.title | Thomas Stearns Eliot's Murder in the Cathedral: A Thematic Reconsideration | en_US |
| Appears in Collections: | قسم اللغة الانكليزية | |
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