The Use of Metaphorcity in the  Poetry of Ezra Pound and Sylvia  Plath: A Comparative Study

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DC Field	Value	Language
dc.contributor.author	Muslih, Al-Heety, Raafat N. Muneer Waleed Shihan	-
dc.date.accessioned	2022-10-18T09:38:16Z	-
dc.date.available	2022-10-18T09:38:16Z	-
dc.date.issued	2020	-
dc.identifier.issn	2201-1323	-
dc.identifier.uri	http://localhost:8080/xmlui/handle/123456789/2790	-
dc.description.abstract	Metaphoricity means metaphorical existence, figurativeness, and the reality or quality of being metaphorical. However, the present paper is a comparative one aims at showing the underlying metaphorical relationship between the concrete and abstract patterns, and their figurative indications in two selected poems by Ezra Weston Loomis Pound (1885-1972) and Sylvia Plath (1932-1963). However, the association of an object to an experience or an idea is composed in a complex way; a metaphor is defined in terms of another metaphor. Furthermore, two poems are selected: "Portrait d'une Femme"(1912) by Pound and "Cut"(1962) by Plath. Accordingly, the paper concludes that the metaphorical root relationships between the mental patterns and the simple patterns of thought in the two poems are different.	en_US
dc.subject	Metaphor, Sargasso sea, cut, Lady, Blood.	en_US
dc.title	The Use of Metaphorcity in the Poetry of Ezra Pound and Sylvia Plath: A Comparative Study	en_US
Appears in Collections:	قسم اللغة الانكليزية

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