Please use this identifier to cite or link to this item: http://localhost:8080/xmlui/handle/123456789/7627
Title: The Visual Versus the Verbal in Poetry
Authors: Madlool, Asmaa Khalaf
Issue Date: 2012
Publisher: Journal of Al_Anbar University for Language and Literature
Series/Report no.: 8;
Abstract: The connection between the pen and the brush or between word and colour is historical and not virginal at all. The appearance of this tie emerges in Roman times to reappear in Renaissance, so the relation between painting and poetry accompanies their existence to such extent they are regarded as two faces for a sole coin. Thus, many critics who are aware of the effect of the two arts considered '' poems as speaking picture and painting as a silent poetry.'' (Diyanni 625)The mutual reception between poetry and painting brings wonderful golden fruits. The prize fruit of such connection is the mutual influence between the two, particularly when some paintings arouse the artist appetite of some poets so as to immortalize the theme of the paintings in words. Not only this some poems inspire the brushes of painters with masterpieces in paintings.
URI: http://localhost:8080/xmlui/handle/123456789/7627
ISSN: 2073-6614
Appears in Collections:قسم اللغة الانكليزية

Files in This Item:
File Description SizeFormat 
The Visual versus the Verbal in Poetry (2).pdf1.74 MBAdobe PDFView/Open


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.