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dc.contributor.authorKhalaf , Majeed Mohammed Midhin Nada Zawi-
dc.date.accessioned2022-10-31T19:30:11Z-
dc.date.available2022-10-31T19:30:11Z-
dc.date.issued2021-
dc.identifier.issn2663-9033-
dc.identifier.urihttp://localhost:8080/xmlui/handle/123456789/7953-
dc.description.abstractCultural hybridity is one of the visible phenomena of our era. It captures the spirit of various writers around the world with its celebration of cultural difference and fusion. Many factors accelerated the growth and spread of this phenomenon. Among them is the migrations, the globalization mantra of unfettered economic exchanges and the supposedly inevitable transformation of all cultures. In the first decade of the new millennium, British theatre seems preoccupied with various issues such as war on terror, social fragmentation, cultural segregation and the huge number of immigrants. However, the ever-increasing migration in the United Kingdom made British playwrights think seriously in the is in flux. No doubt, the new comers have their own values, which, on the long term, affects the host ones. Though it is conceivable, the clash between these cultural values can be met in a culturally viable atmosphere.en_US
dc.publisherJournal of Language Studiesen_US
dc.subjectCultural hybridity - British theatre - citizenship testen_US
dc.titleCultural Hybridity: Question of Britishness in David Edgars Testing the Echoen_US
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