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DC Field | Value | Language |
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dc.contributor.author | Midhin, Majeed Mohammed | - |
dc.date.accessioned | 2022-10-31T19:54:54Z | - |
dc.date.available | 2022-10-31T19:54:54Z | - |
dc.date.issued | 2016 | - |
dc.identifier.issn | 2229-712x | - |
dc.identifier.uri | http://localhost:8080/xmlui/handle/123456789/7959 | - |
dc.description.abstract | The impact of changing economics on British subsidized theatres, during Margaret Thatcher‟s time raises crucial questions about the role of theatre in society and the relationships between the artist and the ruling political party. Because of the encouragement of the marketplace, British theatre finds itself in a competition with other cultural attractions in the burgeoning media, tourism and related industries. Therefore, its worth is being tested by popularity and profitability. The other key issue which led to the crisis of British theatre in this period is the interference of political party in the administration of Arts Council which is the main body in art affairs. The party politicization of arts institutions for subsidy and administration has a negative impact on distinctive waves of new plays to cope with new realities. | en_US |
dc.publisher | Elixir | en_US |
dc.subject | British theatre, Popularity, Profitability. | en_US |
dc.title | Art is a Problem. The Man or Woman who exposes himself to art exposes himself to another problem‟ | en_US |
Appears in Collections: | قسم اللغة الانكليزية |
Files in This Item:
File | Description | Size | Format | |
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1473231272_98C (2016) 42506-42512.pdf | 260.55 kB | Adobe PDF | View/Open |
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